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$8.74The Story
Because Hold, Jack Tatumâs fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchieâs Harriette Pilbeam, first single âHeadlights Onâ features an acid house- worthy bass groove and breakbeat that prove Tatum is playing for the rafters.
Description
Because Hold, Jack Tatumâs fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchieâs Harriette Pilbeam, first single âHeadlights Onâ features an acid house- worthy bass groove and breakbeat that prove Tatum is playing for the rafters.













