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$9.09
Original: $25.98
-65%Pretty Girls Make Graves - The New Romanceā
$25.98
$9.09The Story
Back in print for the first time since 2003: āThe New Romanceā by Pretty Girls Make Graves, the latest installment of Matadorās ongoing catalog series Revisionist History. Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing embers of nearly a dozen important groups. Andrea Zollo and Derek Fudesco had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed Murder City Devils. Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with J. Clark (who was in Kill Sadie and Sharks Keep Moving) and Nick Dewitt and Nathan Thelen (both in Bee Hive Vaults). Brilliantly produced by Phil Ek (Modest Mouse, Built To Spill, Les Savy Fav), āThe New Romanceā magnifies Pretty Girls Make Gravesā songcraft and technical prowess while letting some air into their songs and keeping things in crisp focus. Every song on āThe New Romanceā is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides.
Description
Back in print for the first time since 2003: āThe New Romanceā by Pretty Girls Make Graves, the latest installment of Matadorās ongoing catalog series Revisionist History. Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing embers of nearly a dozen important groups. Andrea Zollo and Derek Fudesco had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed Murder City Devils. Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with J. Clark (who was in Kill Sadie and Sharks Keep Moving) and Nick Dewitt and Nathan Thelen (both in Bee Hive Vaults). Brilliantly produced by Phil Ek (Modest Mouse, Built To Spill, Les Savy Fav), āThe New Romanceā magnifies Pretty Girls Make Gravesā songcraft and technical prowess while letting some air into their songs and keeping things in crisp focus. Every song on āThe New Romanceā is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides.
