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$9.79The Story
Itās a good eight minutes and most of two songs into the second album from this Houston, Texas trio before you hear any vocals, and by that point they may well be superfluous. Khruangbin (the name translates from Thai as āflying engineā or āairplaneā and the former feels particularly fitting) make immaculate instrumental tracks that effortlessly accommodates psychedelic rock, Thai funk, Caribbean grooves, vintage funk, and Middle Eastern riffs. What makes Con Todo El Mundo (another translation, this time from Spanish: āfor all the worldā) so pleasurable is the way those touchstones tie together to create a singular, gratifying sound. Bassist Laura Lee deftly moves in and out of the beat, guitarist Mark Speer supplies long and supple runs, and drummer Donald āDJā Johnson places a funk kick on the rhythm as these songs unfurl without undue stress. Like gears on a car, the three-piece can shift up into the sharp, reverb-heavy bite of āMaria TambiĆ©nā or slow into a nocturnal, jazzy drift on āAugust 10.ā The feel is mellow, but itās never merely easy listening; the shifting melodies and pinpoint drum parts keep you focused on the many possibilities of this sound.
Description
Itās a good eight minutes and most of two songs into the second album from this Houston, Texas trio before you hear any vocals, and by that point they may well be superfluous. Khruangbin (the name translates from Thai as āflying engineā or āairplaneā and the former feels particularly fitting) make immaculate instrumental tracks that effortlessly accommodates psychedelic rock, Thai funk, Caribbean grooves, vintage funk, and Middle Eastern riffs. What makes Con Todo El Mundo (another translation, this time from Spanish: āfor all the worldā) so pleasurable is the way those touchstones tie together to create a singular, gratifying sound. Bassist Laura Lee deftly moves in and out of the beat, guitarist Mark Speer supplies long and supple runs, and drummer Donald āDJā Johnson places a funk kick on the rhythm as these songs unfurl without undue stress. Like gears on a car, the three-piece can shift up into the sharp, reverb-heavy bite of āMaria TambiĆ©nā or slow into a nocturnal, jazzy drift on āAugust 10.ā The feel is mellow, but itās never merely easy listening; the shifting melodies and pinpoint drum parts keep you focused on the many possibilities of this sound.












